Wednesday, 30 September 2015

OUGD504 Studio Brief 1 - Research on Folds



Research in Folds


After experimenting with folds and undertaking primary research during the study task, it is also necessary to undertake secondary research for a broad range. After browsing there were a selected few that were quite effective. This below was taken from a brand which has used interesting folds throughout their work. These certainly add interest to branding as it is more interactive with its audience yet simply enough to use and not cause confusion. The use of stock is also interesting as the blue delivers a sense of freedom in that you have opened up and set free that information contained. The use of two sided coloured stock enhances its audience to interactive with it, it connotes playfulness and heightens the viewers visual experience. 




This fold is actually a card holder yet it could be effective as a fold in itself as well. This also connotes playfulness as it has associations with presents or gifts. Therefore encourages you to open it up and see whats inside. This concept is very friendly and works well for a fold as it successfully encourages you to pick it up and discover its content. 




The concertina fold is also worth looking at as it is a very simple yet successful fold. Concertina folds creates interest by the sheer shape of the paper as it square and works landscape. As we are used to vertical A4 paper this fold is out of the ordinary therefore automatically draws our attention to it. Playful, friendly folds appear to be most successful as they catch more people's attention, therefore for this brief this could potentially be an efficient fold to chose. 




This was a book I had previously created about how to create a hotdog fold - using a hotdog fold. This fold is certainly efficient as it is like a book itself. This is compelling as it uses a flat piece of paper and turns into a three dimensional object. This manipulation helps us to understand spacial reasoning and encourages you to continue on as you progress into the folding sequence. Again, the shape also draws you in just by the fact that it is miniature and the stock is paper. Out of the ordinary has proved to really capture attention and this playful little fold encourages movement and for you to pick up - making it a cogent fold.  




OUGD504 Studio Brief 1 - Research



OUGD504 Studio Brief 1 - Research


My first instinct for secondary research was to look at Pinterest as is generally is a really useful creative website. Instantly when typing in 'Design Process' some really creative ideas came up. This below I really thought was creative as it was like a questionnaire that you find in magazines but applied to this. I think the design as well is very simple and minimal by sticking to three colours and using simple icons to add interest to the piece. Overall however as it is quite minimal, it makes it very practical. This has made me consider using only a two or three colour palette to stick to this minimalist idea. 




These were also ones that caught my eye. The first I thought was quite imaginative and led me to see just how creative I could be with my ideas. However I did prefer the simplicity of this second image as I thought it was quite functional and clear. I don't however particularly like vector images too much, but in this instant I think it does work best. It isn't in any way complicated due to the clear layout, but I think the use of vector images over a lot of writing is clearer, especially for creatives (the target audience) who tend to be visual learners. 




Coming back to my map idea, I also searched for graphic design maps and found some really beautiful outcomes. I thought looking at regular maps would also be helpful to me incase this sparks up any inspiration and I could link the two styles in any way. The first image for me again, was quite simple by only using lines for shapes a lot of white space. The second however I really like as it has a raw, naturalist feel to it which relates to the content of the map. This had made me consider off white stock and using a naturalist colour scheme to it as this style is what I personally really like. This could add my own take on the brief - as this process is my own personal process, it seems relevant to have aspects of me in my work. In terms of this project however I thought the layout of the map was in a way similar to my first thought of inspiration - the London underground map. However both use a simple colour scheme which I am definitely going to consider in my work and have their own unique characteristics about them. 





I then went on to look at the layout of the London Underground map in more detail, particularly how stations and different stops are presented. As the majority of my research has been on maps I think this is the direction I am going to take. Therefore I can take this layout and either use this style, or simplify it to create my own map for my design process. From this I can start to really develop my ideas and start initial sketches. 





Tuesday, 29 September 2015

OUGD504 Studio Brief 1 - Idea Generation


OUGD504 Studio Brief 1 - Idea Generation


Once being briefed, after the study task and research into my selected book, I knew the next necessary step was writing out my own design process. After the study task I found this relatively easy opposed to when we were first initially briefed. When briefed I first found the task a bit confusing and originally thought my own design process was all over the place. After the study task however, this put everything into place and allowed me to start off my own process by taking my own steps. 




Once the steps were in place, I then created rough doodles to visualise my initial ideas. My first thought was to place the steps in logical order vertically which could go hand in hand with my folds, which would be very simple. My second initial thought was to create a map, as I thought about starting off the process and being at square one, then getting through and completing your journey. This idea to me was interesting as I thought of the London Underground map and how easy (to me) it is to use. Therefore I starting initial doodles and started visualising in my head how it could look. My main concern however was making the process as simple as possible as I think it should be an easy, step by step guide.



OUGD504 Studio Brief 1 - Study Task 2


OUGD504 Studio Brief 1 - Study Task 2


During this session we experimented with different paper folds to explore different folding methods for our leaflets. It was interesting to see the vast amount of different folds you can use, and the variety. Although they looked very interesting, I did wonder however - are these really leaflets? After discussing with my peers though I came to realise that leaflets can be anything, which made me remember the brief which states - 'Leaflets are ubiquitous.' I found the folds that I made interesting, however some were quite complex and wouldn't work for a commercial printer. Therefore I do believe a more simpler design would be more functional. This helped me in my decision to decide between my favourite two, one (a bamboo envelope fold) was intricate which I loved, but didn't leave a lot of space for writing and wouldn't be functional. The other (a diary type style) I believe would make an interesting leaflet but at the same time wouldn't be suitable for a commercial printer. I think I will develop this fold, perhaps try to simplify it so it could be made more commercial, but if it is not possible, I believe it still would be effective to use as it is relatively simple and interactive. 






Monday, 28 September 2015

OUGD504 Studio Brief 1 - Study Task 1



OUGD504 Studio Brief 1 - Study Task 1


While we were set the brief, we were given the task of researching into design process. I found this particularly useful as I initially didn't quite understand the brief, but after looking into books at the library and the given task, I realised what was asked of me and the expectations. Going through these books made me think of the design process in more detail, there were aspects that I hadn't realised myself but are also part of my own design process. I think looking at these initially will really help me in creating my own list, which I can also refer back to for future briefs. 


Design Thinking by Gavin Ambrose and Paul Harris 

7 Steps to the design process - 

Define (Brief)
Research (Background)
Ideate (Solutions)
Prototype (Resolve)
Select (Rationale)
Implement (Delivery)
Learn (Feedback) 


Define - Interpret the brief
            Shared expectations
            Validity of the briefs elements
            Restraints and expectations

Research - Research for up to date, contemporary designs
                What appeals to people
                Primary research (provides what works and what does not)
                Secondary research (demographics and structures research)

Ideate - Use brief and research to start to generate ideas
            How much money is needed?
            See whether sufficient levels of research were carried out

Prototype - Potential solutions
                 Test as a physical object

Select - Choose ideas for development
            Does it meet the brief?
            How effective is it for its target?

Implement - Delivering the solution 
                   Production specifications
                   Print is accurate and web is functional

Learn - Feedback stage
           Identify what worked
           Improvements
           Enhances development of design thinking
           Helps generate future successful designs 


Ambose, G and Harries, P. 2010. Basics Design 08: Design Thinking. London: Thames & Hudson.

These 7 steps I think related to my own design process (with some variation) particularly selection, as this is something I had not considered. It is however a big part of the design process as it made me think about a previous brief secret 7 where we created several designs and had to select one to develop and take further. This certainly will help me in creating my own list.
When being asked to present our study task as a 'visual metaphor' it made me realise how I can simply my process to visualise it to make an interesting leaflet. Looking at other people's work opened up ideas to how I can display and produce my own leaflet. Therefore this session certainly helped in giving me a solid understanding of the brief and where I can go with it.








OUGD504 Studio Brief 1 - Brief



OUGD504 Studio Brief 1 - My Design Process


Studio Brief


During this week you will design and produce a folded leaflet entitled "The Design Process" that describes your understanding of the design process and specifically how this is applied to design problems. This assignment will allow you to explore the nature of design at an increasingly commercial level while also exploring creative approaches to leaflet design and folding.

This brief is only one week long and therefore will be very intensive. You will be given support by your tutors in the form of crits and tutorials while studio tasks will focus on aspects related to constructing and designing leaflets. You will be expected to explore and experiment with paper and card stock: folding techniques and styles; and graphic concepts and communication. Your progress, developments and creative decisions should be documented in your studio blog.

At the end of the week you will present your final leaflet design and plan for print to the rest of the group. You will receive feedback and points to consider during this final crit.



Background / Considerations

You are graphic designers, everything you produce should be designed, considered and effective. You need to be in complete control, even if it's carefully arranged to look casual! Don't ignore your knowledge of layout but expand upon it!
Leaflets are ubiquitous! They are a favoured medium for many businesses and organisations for delivering information to customers and clients. Most commercial printers will offer at least some leaflet printing/folding services while others will offer more complex and sophisticated folding and printing packages. Therefore it is important to consider not only the potential of leaflet design but also the financial and practical limitations.
The design process: In developing your understanding of the design process at an increasingly professional level you will show that you have considered the financial, practical and time-based concerns in regards to leaflet design.



Mandatory Requirements

All research, development and decision making should be documented in your studio practice blog.
Your work including research, experiments, developments, etc. will be presented and neatly labelled on design boards.
You must demonstrate that you have explored and considered a range of material, folding and printing formats in developing your leaflet.
Your leaflet design will describe and explain the design process and as such your design should reflect your understanding of 'process'.
Your work must be accompanied by an evaluation of at least 500 words.



Deliverables


1. A completed leaflet printed and folded

2. Design blog

3. Folded card stock experiments (with annotations)

4. Design boards


Tuesday, 22 September 2015

Level 5 Summer Project



Summer Project: A-Z: Type in Context


Type of Portobello Market


A

Alice's is a vintage antique store which sells a huge variety of British antiques. The signage on the shop itself is hand painted whereas the draped sign infront has most likely been added to the shop along the years. Whether this sign is hand painted is questionable (most likely is) but the others certainly are and are a good example of traditional sign painting. This typography is clear and certainly quirky which suits the aesthetic of the shop. It effectively communicates this as the shop has decided to keep this, some would say - lost art of sign painting to reflect the nature of the shop and its antique goods.






B

These are British plaques found within Alice's antique store and perhaps originated from a pub. As printing techniques were advancing, these plaques at the time most likely were the most sustainable signage. They are cast out of iron and purpose are to last a lifetime. For this the type must be clear and legible which these achieve. The choice of serif and sans serif types relate to the context of the signs as I believe the  serif type for 'Bullshit Corner' has a more relaxed approached which reflects the comic phrase. Whereas 'Beware of the Dog' is loud and distinct, emulating the cautious and alarming phrase.





C

This is a hand painted ceramic cocaine jar. Cocaine was historically useful as a topical aesthetic in eye and nasal surgery but whether this is a pharmaceutical antique is unknown. In medieval Europe, apothecaries and alchemists appealed to their ailing customers by displaying bottles in their windows. This is particularly interesting as the characters and kerning are spaced out which makes the word very clear and understandable, and also makes this work with the decorative patterns by the way the word flows.



D

This is another example of antique signage for a dentist. Sign painting is a learned craft with a long history. Historically artisans acquired the craft through apprenticeship, although many early sign painters were self-taught. The craft has almost disappeared now but perhaps the majority of people would much prefer this creative, unique sign to standard dentist signs we have today.




E

The type in this for 'Ballooning' is very effective as it reflects the beautiful nature of this sign. The type is expressive and when first looking at this without thinking of the actual word, you instantly feel invited in as the serif typeface is delicate and traditional which makes it friendly and goes with the whole picturesque aesthetic. In addition the capital letters and the way the words are grouped enforces importance which draws you in. 






F

This is a ceramic seed jar which also uses the technique of using a friendly, relaxed serif type. It feels very homely and perhaps are from the 50s/60s. The hyphens used creates balance with the way the words are groups. It is interesting as this is an antique but the use of lines and hyphens are very much in, in contemporary graphic design. 





G 

This antique cigar shop sign uses the typical ornate type we would see from sign painting. This however feels old style but does only have hints of serifs rather than such obvious ones. The choice of gold really stands outs out, particularly with the dark shadows to highlight the gold. This creates a really nice colour scheme out of beiges and browns and the gold suggests glamour and luxury to buyers. 





This was a contrast to the other markets/shops/stalls at Portobello Market as this was a high end clothes store selling Harris Tweed. This proves how diverse Portobello road market is and the range of goods it has. The sign for 'Highland' communicates well the nature of the shop as the serif type reflects back on the traditionalist values of the shop. Along with the long stems of the letterforms to emulate the the 'Highlands' and the fact that it is a high end store. This certainly conveys quite a high class and luxurious vibe to the store.





This is a vintage film which dates back to the 1940's. The type used for 'Film' is typical of film typography as it uses sans serif and modern elements to reflect the modernness of film. 'Hollywood' is also in the typical decorative typeface we associate with Hollywood as it looks very glamorous and dazzling. 



J

This was a letterpress stall in Portobello Market where you can buy the individual letters for letterpress. Letterpress printing is a technique of relief printing using a printing press, a process by which many copies are produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper.





K

This was found at a lovely book stall and the contents is a book of poems. The old style type is ornate and elegant and has this traditional style to communicate the contents of traditional, 19th century poetry. The serifs are quite decorative which is what suggests to us that it is an old style typography. 




This is another example of sign painting. In England, lettering on signs did not become commonplace until the 18th century, as literacy rates increased. This coincided with England becoming a major centre of lettering excellence, with advances in typography from William Caslon and John Baskerville. Sign painting like this one often have personal touches, often decorative and colourful, with outlines and shading, ornamental flourishes, and deliberate flair - seen at their most effusive and unconstrained in fairgrounds.




M

This was found on a chalk board and is probably the closest thing we currently have to sign painting now. Chalk board typography - like sign painting is decorative and colourful. This is a good example of this as it uses floral details and flourishes to create a really unique, friendly typeface which is enjoyable to look at. 






N

This is the Notting Hill canvas shopping bag found at a stall in Portobello Market. This typeface could be Helvetica but it is clear that this bold type has been used as a selling technique to really capture the audiences eye to the bag. The clear lettering makes the sentence all together a bold statement which is very distinct and in your face, again to really draw people into buying it. 




O

This is a beautiful antique hand painted sign. The colours are complementary and the use of gold for the letters also emulate that they are antique, but suggests that they are upscale and lavish. The hints of serifs on the letterforms makes the words clear and legible but also emphasises the lavishness by linking to the decorative patterns between.  






This book of Pride & Prejudice was found at another book stall. This decorative and elegant book design really creates a beautiful book cover and I think the colour scheme suggests innocence by the use of baby blue. In addition the flourishes which reminds us of hand rendered typography gives a very feminine touch to the cover, communicating with the main target audience - women. This all relates beautifully back to the contents of the book which makes it an effective book cover with a beautiful aesthetic. 




Q

These are a collection of old, antique books. Similarly to the previous letter, the detailing is very traditional and decorative. The choice of red and gold connotes royal and grandness which heightens the antique feel overall. Decorative patterns with traditional style typography are elements of the Renaissance. 





R

The Royal Mail box on Portobello Road also linked to the common theme of the letters as this had been hand rendered. This goes back to traditional post box's as this is an old style one which suits the whole aesthetic of Portobello Market. The type is very simplistic and spaced out so that it is easy to read from far away and is distinguishable. 





S

This is another vintage jar found with hand painted type. The type is long and the kerning is quite close, probably due to the nature of the word 'Strawberries' being very long therefore it is easy to tighten the letters together but elongate them to make it readable. 





T 

This is also a vintage hand painted sign. Graphic design in England had blossomed in the second half of the 20th century, and modern display fonts became increasingly popular for shop signs (and popular with signwriters). Pubs were still thriving, often employing decorative styles, and professional signwriters regularly did gold leaf work.




U 

This is an LP of The Velvet Underground at a record stall. This was produced in 1969 and has a very 60s feel about it. The type and colours of the photograph all have psychedelic elements, which is very relevant as 1969 was the height of psychedelic art. The type in particular which looks as if its melting is very common within 1960s psychedelic posters/album artworks. 





V & W

This is yet another example of sign painting. Along with the Dentist sign I believe that this is far more interesting and unique than the standard signs we see now. In the 21st century signwriters, while not quite extinct, are effectively an endangered species. Their techniques are safely preserved, documented in the many excellent publications and tutorials, but active practitioners are no longer the common sight on the streets of London that they once were.








X, Y & Z

These were taken from a letterpress stall where you can buy all the letters individually, there were a huge range of different sizes and styles. Letterpress is the oldest form of printing. In this method, a surface with raised letters is inked and pressed to the surface of the printing substrate to reproduce an image in reverse. Typically, metal type has been used but other possibilities include carved wood or stone blocks. Its hand-crafted look and feel; giving character and charm to a variety of printed products.